MUSIC:

LP/CD/559 201-2

P2K SET 547 795-2

P2K BONUS DISC 561 256-2

POLYDOR

 Music [AU]

 Music [US]

1.HINDLEY STREET 2.BELTER 3.THE DAY YOU COME 4.ALREADY GONE 5.PASSENGER 6.DON'T WANNA BE LEFT OUT 7.GOOD-DAY RAY 8.TRADING PLACES 9.PRIVATE MAN 10.CELEBRITY HEAD 11.OVER MY HEAD 12.CAPOICITY 13.LEMON SUNRISE PRODUCED BY NICK Didia
Coghill
Collins
Fanning

Internationalist studio photos by Dz

Voted

#6

triple j's Hottest 100 Australian Albums of All Time

[2011]

triple j's

Hottest 100

1998

#8 - "The Day You Come"

#46 - "Don't Wanna Be Left Out"

 

Music Industry Critics Awards

"The Day You Come" / Song of the Year

Best Australian Album

Best CD/Album Production

"The Day You Come" / Best EP or Single

 

ARIA Awards

1999

Best Rock Album

Best Album

"The Day You Come" / Record of the Year

Best Cover Art (Michael Mucci)

–Nominations

Best Group

 

triple j's

Hottest 100

1999

#1 - "These Days"

#25 - "Already Gone"

#46 - "Good-Day Ray"

#100 - "Passenger"

 

ARIA nominations

2000

Best Group / "Passenger"

Best Record / "Passenger"

Best Artwork / "Passenger"

"THE DAY YOU COME"

1. The Day You Come

2. Polley

3. Ironical

"DON'T WANNA BE LEFT OUT" / "GOOD-DAY RAY"

1. Don't Wanna Be Left Out

2. Good-Day Ray

3. Corner Boy

4. Paul's Theme

ORIGINAL MUSIC VIDEO

 Music [AU]

"ALREADY GONE"

1. Already Gone

2. Control Freak

3. Today You Came

4. The Day You Come (Ascension Remix)

5. Tom (Demo)

ORIGINAL MUSIC VIDEO

 Music [AU]

"PASSENGER"

1. Passenger

2. These Days

3. Passenger (Live)

4. Pick You Up (Live)

5. Maxwell's Great Mistake

6. That Ol' Track

POWDERFINGER HISTORY

 

"IN ALL THE HIDDEN PLEASURES YOU FIND"

INTERNATIONALIST 7 SEPTEMBER 1998
Bernard Fanning - vocals, guitars, piano, and keyboards Darren Middleton - vocals, guitars, piano, and keyboards Ian Haug - guitar and handclaps John Collins - bass and organ pedals, and ¡heys' Jon Coghill - drums, handclaps, and 'heys' backing vocals on Passenger and Hindley St... Lou Bennett, Sally Dastey and Amy Saunders (aka Tiddas), Tiddas appear courtesy of Id/Mercury Records horn section on Celebrity Head, Trading Places and Passenger... Tony Lofts -Trumpet and Flugelhorn, Andrew Hammond - Trombone, Martin Zakharov - Tenor and Baritone Saxophone, Flute strings on Trading Places...Michelle Lewit - Violin, Gareth Skinner - Cello also...Horns arranged by Tony Lofts on Passenger, and Tony Lofts & Powderfinger on Celebrity Head and Trading Places. All songs recorded, mixed and produced by Nick DiDia at Sing Sing Studios, Melbourne Australia except The Day You Come recorded by Lachlan 'Magoo' Goold at Sing Sing. Mixed by Nick DiDia. Whatever You Say recorded by Mark McElligott at Sunshine Studios, Brisbane. Mixed by Nick DiDia. All recordings at Sing Sing assisted by Dave 'Double Dave' Davis. All tracks mastered by Don Bartley at Studios 301. All songs published by Egg The Nest/PolyGram Music Publishing. ORIGINALLY ISSUED WITH P2K BONUS DISC, LIVE & ACOUSTIC AT THE SYDNEY OPERA HOUSE 1.PASSENGER 2.PRIVATE MAN 3.DON'T WANNA BE LEFT OUT 4.PICK YOU UP 5.THE DAY YOU COME All tracks published by Universal Music Keyboards by Matt Murphy Cello by David Stills Recorded by Cameron McCauley for Triple J on October 11, 1998 Produced and mixed by Wayne Connolly and Powderfinger Mastered by Rick O'Neil and Wayne Connolly at Turtlerock ART DIRECTION- Kevin Wilkins @sseaven ILLUSTRATION - Michael Mucci PHOTOGRAPHY - Sophie Howarth DESIGN - Lucy Walker
1.HINDLEY STREET: Powderfinger/Fanning A gentle winter haze creeps in at three forty-four - the Hindley St parade shuffles to my door - the hotel decor shades are always poorly sewn - twenty-five in thirty days makes this room feel like home na na na na na na na na na na the western ocean breeze kick starts another day - and under brewed bag tea, no matter where you get it always seems to leave that taste - the Todd St mall cafe is here to save the day - why should I complain everybody else is overworked and underpaid na na na - na na - na na - na na na - na na na days keep rolling over - escape to the undercover - soon it will all be over - and we can start again 2.BELTER: Powderfinger/Fanning YOU GO - I FEEL LIKE DROPPING BOMBS BETWEEN YOUR EYES - BUT NOT TODAY - TOO SLOW - I FEEL LIKE SINKING ARROWS IN YOUR MIND - IT'S ALL THE SAME - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT - YOU GO - SOAKING UP YOUR PUBLIC APPETITE - THE WAR YOU WAGE - TOO SLOW - I TELL YOU ONCE AGAIN YOU'RE NOT MY TYPE - YOU'RE ALL THE SAME - SOMETHING COME ALONG GONNA MAKE A CHANGE - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT 3.THE DAY YOU COME: Powderfinger/Fanning memories are fading - a single voice complaining - while days are stacking up - it's hardly worth debating, the people are frustrated - drink from poison cup - the system is collapsing, conscience is relapsing - the damage has been done - on the day you come rising up - on the day you come rising up - vision is rejected - the peoples choice is tested - so ignorance has won - children are infected - remedy suggested - don't drink from poison cup overpopulation, media sensations - the damage has been done - on the day you come rising up - on the day you come rising up 4.ALREADY GONE: Powderfinger/Fanning You've been working all you life - all weekends and overtime - while your trying to unwind - you can't relate to the leisured life - Another day meanders by - keeping nature's tabled time - all these things just pass you by - and you can't relax in a scheduled life - promises already gone - there's no escape it's said and done - so keep your love forever young - you've been trying to decide - multiply or just divide - all these things are on your mind - and you can't relaxin a leisured life - promises already gone - there's no escape it's said and done - so keep your love forever young 5.PASSENGER: Powderfinger/Fanning Caged - you hold so tight until your knuckles show - escape - as far away as you could ever know - you sink them all down - and watch them float up - until the wheel has spun around - you will be bound by what you are - you stand in the corner - with your face stripped of color - for what? - If you want to be a passenger - climb aboard with me, were leaving now - step outside and see another world - only if you want to be a passenger - chained - so many places you'd prefer to be - than framed - by a picket fence and salary - you sink them all down - then watch them float up - until the wheel has spun around - you will be bound by who you are - you're tied to the corner - with your hope twisted under - in knots - if you want to be a passenger - climb aboard with me we're leaving now - step outside and see another world - only if you want to be a passenger 6.DON'T WANNA BE LEFT OUT: Powderfinger/Fanning/Middleton I creep around slowly and receive from the TV signals about my life - I've no dedication to my medication I'm otherwise occupied - an ambitious plan to bring attention to myself - a cerebral hitman permeates my mental health - but I don't wanna be left out so will you take me too? - when the supper is handed out there will be room for two - now I'm flying away - stupefy and sedate - at my own invitation a new celebration of how I became a man - this whole evolution and manic confusion to unlock and understand - in a past life, I'm sure I was a princess then - a princess wife, my hypnotist he took me there - but I don't want to be left out - so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate - now you show up bright and clear eyed - now you show up bright and clear eyed - but I don't wanna be left out so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate 7.GOOD-DAY RAY: Powderfinger/Coghill/Fanning he's at you again ray - testing out your head space - no matter what you do - the money still loves you - you have fallen down the stairs again - you might have to take it easy - because we love you - and we respect you - because we love you - and we respect you - you have fallen down the stairs again - you might have to take it easy - he's at you again ray - he's at you again ray - he's at you again ray - testing out your head space 8.TRADING PLACES: Powderfinger/Fanning I could not face - I could not face you - lost my place - couldn't I fade away - feelings hide - feelings die cannot wait - to trade my place again - you save face when I hang my head in shame - feelings hide - feelings die - they could not wait to open you up - they could not wait to open you up 9.PRIVATE MAN: Powderfinger/Fanning I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a drastic change - it's such a shame this has to end - but things are out of his command - he has no further truth to tell - now he has absolved himself - he's eying off an old doorframe - history secures his name - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - now he falls so far - I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a tragic change - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - when he falls so far - when you fall so far - now he falls so far - when you fall so hard 10.CELEBRITY HEAD: Powderfinger/Fanning at quarter to nine - my plus one decides to maker her arrival - I'll say what I like - at the end of the night for social survival - I'll cut you to size - then apoligise and make an impassioned plea - there were no docken parks - I had to walk in the dark I wasn't myself you see - here I am again you know - here I am again in for free - missed the backing band you know me - here I am again in for free - I know I sound trite - but I get off on things like it's their sophomore album - I don't know what I mean - but I'm part of the scene - I know a guy from the Melvins - I came to do a review - I had to wait in the queue i just can't believe it - don't you know who I am - I work the street paper scam I can't believe you don't read me - here I am again you know me - here I am again in for free - missed the backing band you know me - here I am again in for free - here I am again - here I am again 11.OVER MY HEAD: Middleton a combination of the two worst ideals that you might have - well don't complain when you just concede, there's nothing left for you - it's sad to think that it's all gone over my head - I like to think it was easy not to have said - it's sad to think it all went over my head - I liked to think it was easy not to have said - Look up, there's another place where you might just have come from - hold me down there is nothing to say I've been spent around here - Chorus 12: CAPOICITY: Powderfinger/Fanning honesty is out of style - so hammer in the coffin nails - a message sent across to land - with kisses for you - we'll tell them nothing - our little secret - they'll never make us ever open up - tradition in and out the door - family our fatal flaw - a future frameless in design - a seamless concept - we'll tell them nothing - our little secret - they'll never make us - ever open up - never break our trust - until were coffin dust - when this feeling fades - it'll all seem like a waste - fragile bond has shaken loose - this secret love a shrinking noose - suffocated on the truth - left with nothing 13. LEMON SUNRISE: Powderfinger/Fanning do do do do do - always on time - do do do do do - waiting in line - whatever you say - whatever you say - whatever you say - whatever - do do do do do - soda and lime - do do do do do - lemon sunrise - whatever you say - whatever you say - whatever you say - whatever you say - see you Tuesday - never would stay - whatever you say - whatever
Coghill
Collins
Fanning
INTERNATIONALIST 7 SEPTEMBER 1998
1.HINDLEY STREET: Powderfinger/Fanning A gentle winter haze creeps in at three forty-four - the Hindley St parade shuffles to my door - the hotel decor shades are always poorly sewn - twenty-five in thirty days makes this room feel like home na na na na na na na na na na the western ocean breeze kick starts another day - and under brewed bag tea, no matter where you get it always seems to leave that taste - the Todd St mall cafe is here to save the day - why should I complain everybody else is overworked and underpaid na na na - na na - na na - na na na - na na na days keep rolling over - escape to the undercover - soon it will all be over - and we can start again 2.BELTER: Powderfinger/Fanning YOU GO - I FEEL LIKE DROPPING BOMBS BETWEEN YOUR EYES - BUT NOT TODAY - TOO SLOW - I FEEL LIKE SINKING ARROWS IN YOUR MIND - IT'S ALL THE SAME - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT - YOU GO - SOAKING UP YOUR PUBLIC APPETITE - THE WAR YOU WAGE - TOO SLOW - I TELL YOU ONCE AGAIN YOU'RE NOT MY TYPE - YOU'RE ALL THE SAME - SOMETHING COME ALONG GONNA MAKE A CHANGE - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT 3.THE DAY YOU COME: Powderfinger/Fanning memories are fading - a single voice complaining - while days are stacking up - it's hardly worth debating, the people are frustrated - drink from poison cup - the system is collapsing, conscience is relapsing - the damage has been done - on the day you come rising up - on the day you come rising up - vision is rejected - the peoples choice is tested - so ignorance has won - children are infected - remedy suggested - don't drink from poison cup overpopulation, media sensations - the damage has been done - on the day you come rising up - on the day you come rising up 4.ALREADY GONE: Powderfinger/Fanning You've been working all you life - all weekends and overtime - while your trying to unwind - you can't relate to the leisured life - Another day meanders by - keeping nature's tabled time - all these things just pass you by - and you can't relax in a scheduled life - promises already gone - there's no escape it's said and done - so keep your love forever young - you've been trying to decide - multiply or just divide - all these things are on your mind - and you can't relaxin a leisured life - promises already gone - there's no escape it's said and done - so keep your love forever young 5.PASSENGER: Powderfinger/Fanning Caged - you hold so tight until your knuckles show - escape - as far away as you could ever know - you sink them all down - and watch them float up - until the wheel has spun around - you will be bound by what you are - you stand in the corner - with your face stripped of color - for what? - If you want to be a passenger - climb aboard with me, were leaving now - step outside and see another world - only if you want to be a passenger - chained - so many places you'd prefer to be - than framed - by a picket fence and salary - you sink them all down - then watch them float up - until the wheel has spun around - you will be bound by who you are - you're tied to the corner - with your hope twisted under - in knots - if you want to be a passenger - climb aboard with me we're leaving now - step outside and see another world - only if you want to be a passenger 6.DON'T WANNA BE LEFT OUT: Powderfinger/Fanning/Middleton I creep around slowly and receive from the TV signals about my life - I've no dedication to my medication I'm otherwise occupied - an ambitious plan to bring attention to myself - a cerebral hitman permeates my mental health - but I don't wanna be left out so will you take me too? - when the supper is handed out there will be room for two - now I'm flying away - stupefy and sedate - at my own invitation a new celebration of how I became a man - this whole evolution and manic confusion to unlock and understand - in a past life, I'm sure I was a princess then - a princess wife, my hypnotist he took me there - but I don't want to be left out - so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate - now you show up bright and clear eyed - now you show up bright and clear eyed - but I don't wanna be left out so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate 7.GOOD-DAY RAY: Powderfinger/Coghill/Fanning he's at you again ray - testing out your head space - no matter what you do - the money still loves you - you have fallen down the stairs again - you might have to take it easy - because we love you - and we respect you - because we love you - and we respect you - you have fallen down the stairs again - you might have to take it easy - he's at you again ray - he's at you again ray - he's at you again ray - testing out your head space 8.TRADING PLACES: Powderfinger/Fanning I could not face - I could not face you - lost my place - couldn't I fade away - feelings hide - feelings die cannot wait - to trade my place again - you save face when I hang my head in shame - feelings hide - feelings die - they could not wait to open you up - they could not wait to open you up 9.PRIVATE MAN: Powderfinger/Fanning I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a drastic change - it's such a shame this has to end - but things are out of his command - he has no further truth to tell - now he has absolved himself - he's eying off an old doorframe - history secures his name - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - now he falls so far - I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a tragic change - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - when he falls so far - when you fall so far - now he falls so far - when you fall so hard 10.CELEBRITY HEAD: Powderfinger/Fanning at quarter to nine - my plus one decides to maker her arrival - I'll say what I like - at the end of the night for social survival - I'll cut you to size - then apoligise and make an impassioned plea - there were no docken parks - I had to walk in the dark I wasn't myself you see - here I am again you know - here I am again in for free - missed the backing band you know me - here I am again in for free - I know I sound trite - but I get off on things like it's their sophomore album - I don't know what I mean - but I'm part of the scene - I know a guy from the Melvins - I came to do a review - I had to wait in the queue i just can't believe it - don't you know who I am - I work the street paper scam I can't believe you don't read me - here I am again you know me - here I am again in for free - missed the backing band you know me - here I am again in for free - here I am again - here I am again 11.OVER MY HEAD: Middleton a combination of the two worst ideals that you might have - well don't complain when you just concede, there's nothing left for you - it's sad to think that it's all gone over my head - I like to think it was easy not to have said - it's sad to think it all went over my head - I liked to think it was easy not to have said - Look up, there's another place where you might just have come from - hold me down there is nothing to say I've been spent around here - Chorus 12: CAPOICITY: Powderfinger/Fanning honesty is out of style - so hammer in the coffin nails - a message sent across to land - with kisses for you - we'll tell them nothing - our little secret - they'll never make us ever open up - tradition in and out the door - family our fatal flaw - a future frameless in design - a seamless concept - we'll tell them nothing - our little secret - they'll never make us - ever open up - never break our trust - until were coffin dust - when this feeling fades - it'll all seem like a waste - fragile bond has shaken loose - this secret love a shrinking noose - suffocated on the truth - left with nothing 13. LEMON SUNRISE: Powderfinger/Fanning do do do do do - always on time - do do do do do - waiting in line - whatever you say - whatever you say - whatever you say - whatever - do do do do do - soda and lime - do do do do do - lemon sunrise - whatever you say - whatever you say - whatever you say - whatever you say - see you Tuesday - never would stay - whatever you say - whatever
Bernard Fanning - vocals, guitars, piano, and keyboards Darren Middleton - vocals, guitars, piano, and keyboards Ian Haug - guitar and handclaps John Collins - bass and organ pedals, and ¡heys' Jon Coghill - drums, handclaps, and 'heys' ORIGINALLY ISSUED WITH P2K BONUS DISC, LIVE & ACOUSTIC AT THE SYDNEY OPERA HOUSE 1.PASSENGER 2.PRIVATE MAN 3.DON'T WANNA BE LEFT OUT 4.PICK YOU UP 5.THE DAY YOU COME All tracks published by Universal Music Keyboards by Matt Murphy Cello by David Stills Recorded by Cameron McCauley for Triple J on October 11, 1998 Produced and mixed by Wayne Connolly and Powderfinger Mastered by Rick O'Neil and Wayne Connolly at Turtlerock backing vocals on Passenger and Hindley St... Lou Bennett, Sally Dastey and Amy Saunders (aka Tiddas), Tiddas appear courtesy of Id/Mercury Records horn section on Celebrity Head, Trading Places and Passenger... Tony Lofts -Trumpet and Flugelhorn, Andrew Hammond - Trombone, Martin Zakharov - Tenor and Baritone Saxophone, Flute strings on Trading Places...Michelle Lewit - Violin, Gareth Skinner - Cello also...Horns arranged by Tony Lofts on Passenger, and Tony Lofts & Powderfinger on Celebrity Head and Trading Places. All songs recorded, mixed and produced by Nick DiDia at Sing Sing Studios, Melbourne Australia except The Day You Come recorded by Lachlan 'Magoo' Goold at Sing Sing. Mixed by Nick DiDia. Whatever You Say recorded by Mark McElligott at Sunshine Studios, Brisbane. Mixed by Nick DiDia. All recordings at Sing Sing assisted by Dave 'Double Dave' Davis. All tracks mastered by Don Bartley at Studios 301. All songs published by Egg The Nest/PolyGram Music Publishing. ART DIRECTION- Kevin Wilkins @sseaven ILLUSTRATION - Michael Mucci PHOTOGRAPHY - Sophie Howarth DESIGN - Lucy Walker
Coghill
Collins
Fanning
INTERNATIONALIST 7 SEPTEMBER 1998
1.HINDLEY STREET: Powderfinger/Fanning A gentle winter haze creeps in at three forty-four - the Hindley St parade shuffles to my door - the hotel decor shades are always poorly sewn - twenty-five in thirty days makes this room feel like home na na na na na na na na na na the western ocean breeze kick starts another day - and under brewed bag tea, no matter where you get it always seems to leave that taste - the Todd St mall cafe is here to save the day - why should I complain everybody else is overworked and underpaid na na na - na na - na na - na na na - na na na days keep rolling over - escape to the undercover - soon it will all be over - and we can start again 2.BELTER: Powderfinger/Fanning YOU GO - I FEEL LIKE DROPPING BOMBS BETWEEN YOUR EYES - BUT NOT TODAY - TOO SLOW - I FEEL LIKE SINKING ARROWS IN YOUR MIND - IT'S ALL THE SAME - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT - YOU GO - SOAKING UP YOUR PUBLIC APPETITE - THE WAR YOU WAGE - TOO SLOW - I TELL YOU ONCE AGAIN YOU'RE NOT MY TYPE - YOU'RE ALL THE SAME - SOMETHING COME ALONG GONNA MAKE A CHANGE - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT 3.THE DAY YOU COME: Powderfinger/Fanning memories are fading - a single voice complaining - while days are stacking up - it's hardly worth debating, the people are frustrated - drink from poison cup - the system is collapsing, conscience is relapsing - the damage has been done - on the day you come rising up - on the day you come rising up - vision is rejected - the peoples choice is tested - so ignorance has won - children are infected - remedy suggested - don't drink from poison cup overpopulation, media sensations - the damage has been done - on the day you come rising up - on the day you come rising up 4.ALREADY GONE: Powderfinger/Fanning You've been working all you life - all weekends and overtime - while your trying to unwind - you can't relate to the leisured life - Another day meanders by - keeping nature's tabled time - all these things just pass you by - and you can't relax in a scheduled life - promises already gone - there's no escape it's said and done - so keep your love forever young - you've been trying to decide - multiply or just divide - all these things are on your mind - and you can't relaxin a leisured life - promises already gone - there's no escape it's said and done - so keep your love forever young 5.PASSENGER: Powderfinger/Fanning Caged - you hold so tight until your knuckles show - escape - as far away as you could ever know - you sink them all down - and watch them float up - until the wheel has spun around - you will be bound by what you are - you stand in the corner - with your face stripped of color - for what? - If you want to be a passenger - climb aboard with me, were leaving now - step outside and see another world - only if you want to be a passenger - chained - so many places you'd prefer to be - than framed - by a picket fence and salary - you sink them all down - then watch them float up - until the wheel has spun around - you will be bound by who you are - you're tied to the corner - with your hope twisted under - in knots - if you want to be a passenger - climb aboard with me we're leaving now - step outside and see another world - only if you want to be a passenger 6.DON'T WANNA BE LEFT OUT: Powderfinger/Fanning/Middleton I creep around slowly and receive from the TV signals about my life - I've no dedication to my medication I'm otherwise occupied - an ambitious plan to bring attention to myself - a cerebral hitman permeates my mental health - but I don't wanna be left out so will you take me too? - when the supper is handed out there will be room for two - now I'm flying away - stupefy and sedate - at my own invitation a new celebration of how I became a man - this whole evolution and manic confusion to unlock and understand - in a past life, I'm sure I was a princess then - a princess wife, my hypnotist he took me there - but I don't want to be left out - so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate - now you show up bright and clear eyed - now you show up bright and clear eyed - but I don't wanna be left out so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate 7.GOOD-DAY RAY: Powderfinger/Coghill/Fanning he's at you again ray - testing out your head space - no matter what you do - the money still loves you - you have fallen down the stairs again - you might have to take it easy - because we love you - and we respect you - because we love you - and we respect you - you have fallen down the stairs again - you might have to take it easy - he's at you again ray - he's at you again ray - he's at you again ray - testing out your head space 8.TRADING PLACES: Powderfinger/Fanning I could not face - I could not face you - lost my place - couldn't I fade away - feelings hide - feelings die cannot wait - to trade my place again - you save face when I hang my head in shame - feelings hide - feelings die - they could not wait to open you up - they could not wait to open you up 9.PRIVATE MAN: Powderfinger/Fanning I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a drastic change - it's such a shame this has to end - but things are out of his command - he has no further truth to tell - now he has absolved himself - he's eying off an old doorframe - history secures his name - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - now he falls so far - I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a tragic change - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - when he falls so far - when you fall so far - now he falls so far - when you fall so hard 10.CELEBRITY HEAD: Powderfinger/Fanning at quarter to nine - my plus one decides to maker her arrival - I'll say what I like - at the end of the night for social survival - I'll cut you to size - then apoligise and make an impassioned plea - there were no docken parks - I had to walk in the dark I wasn't myself you see - here I am again you know - here I am again in for free - missed the backing band you know me - here I am again in for free - I know I sound trite - but I get off on things like it's their sophomore album - I don't know what I mean - but I'm part of the scene - I know a guy from the Melvins - I came to do a review - I had to wait in the queue i just can't believe it - don't you know who I am - I work the street paper scam I can't believe you don't read me - here I am again you know me - here I am again in for free - missed the backing band you know me - here I am again in for free - here I am again - here I am again 11.OVER MY HEAD: Middleton a combination of the two worst ideals that you might have - well don't complain when you just concede, there's nothing left for you - it's sad to think that it's all gone over my head - I like to think it was easy not to have said - it's sad to think it all went over my head - I liked to think it was easy not to have said - Look up, there's another place where you might just have come from - hold me down there is nothing to say I've been spent around here - Chorus 12: CAPOICITY: Powderfinger/Fanning honesty is out of style - so hammer in the coffin nails - a message sent across to land - with kisses for you - we'll tell them nothing - our little secret - they'll never make us ever open up - tradition in and out the door - family our fatal flaw - a future frameless in design - a seamless concept - we'll tell them nothing - our little secret - they'll never make us - ever open up - never break our trust - until were coffin dust - when this feeling fades - it'll all seem like a waste - fragile bond has shaken loose - this secret love a shrinking noose - suffocated on the truth - left with nothing 13. LEMON SUNRISE: Powderfinger/Fanning do do do do do - always on time - do do do do do - waiting in line - whatever you say - whatever you say - whatever you say - whatever - do do do do do - soda and lime - do do do do do - lemon sunrise - whatever you say - whatever you say - whatever you say - whatever you say - see you Tuesday - never would stay - whatever you say - whatever
Bernard Fanning - vocals, guitars, piano, and keyboards Darren Middleton - vocals, guitars, piano, and keyboards Ian Haug - guitar and handclaps John Collins - bass and organ pedals, and ¡heys' Jon Coghill - drums, handclaps, and 'heys' backing vocals on Passenger and Hindley St... Lou Bennett, Sally Dastey and Amy Saunders (aka Tiddas), Tiddas appear courtesy of Id/Mercury Records horn section on Celebrity Head, Trading Places and Passenger... Tony Lofts -Trumpet and Flugelhorn, Andrew Hammond - Trombone, Martin Zakharov - Tenor and Baritone Saxophone, Flute strings on Trading Places...Michelle Lewit - Violin, Gareth Skinner - Cello also...Horns arranged by Tony Lofts on Passenger, and Tony Lofts & Powderfinger on Celebrity Head and Trading Places. All songs recorded, mixed and produced by Nick DiDia at Sing Sing Studios, Melbourne Australia except The Day You Come recorded by Lachlan 'Magoo' Goold at Sing Sing. Mixed by Nick DiDia. Whatever You Say recorded by Mark McElligott at Sunshine Studios, Brisbane. Mixed by Nick DiDia. All recordings at Sing Sing assisted by Dave 'Double Dave' Davis. All tracks mastered by Don Bartley at Studios 301. All songs published by Egg The Nest/PolyGram Music Publishing. ORIGINALLY ISSUED WITH P2K BONUS DISC, LIVE & ACOUSTIC AT THE SYDNEY OPERA HOUSE 1.PASSENGER 2.PRIVATE MAN 3.DON'T WANNA BE LEFT OUT 4.PICK YOU UP 5.THE DAY YOU COME All tracks published by Universal Music Keyboards by Matt Murphy Cello by David Stills Recorded by Cameron McCauley for Triple J on October 11, 1998 Produced and mixed by Wayne Connolly and Powderfinger Mastered by Rick O'Neil and Wayne Connolly at Turtlerock ART DIRECTION- Kevin Wilkins @sseaven ILLUSTRATION - Michael Mucci PHOTOGRAPHY - Sophie Howarth DESIGN - Lucy Walker
Coghill
Collins
Fanning
INTERNATIONALIST 7 SEPTEMBER 1998
1.HINDLEY STREET: Powderfinger/Fanning A gentle winter haze creeps in at three forty-four - the Hindley St parade shuffles to my door - the hotel decor shades are always poorly sewn - twenty-five in thirty days makes this room feel like home na na na na na na na na na na the western ocean breeze kick starts another day - and under brewed bag tea, no matter where you get it always seems to leave that taste - the Todd St mall cafe is here to save the day - why should I complain everybody else is overworked and underpaid na na na - na na - na na - na na na - na na na days keep rolling over - escape to the undercover - soon it will all be over - and we can start again 2.BELTER: Powderfinger/Fanning YOU GO - I FEEL LIKE DROPPING BOMBS BETWEEN YOUR EYES - BUT NOT TODAY - TOO SLOW - I FEEL LIKE SINKING ARROWS IN YOUR MIND - IT'S ALL THE SAME - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT - YOU GO - SOAKING UP YOUR PUBLIC APPETITE - THE WAR YOU WAGE - TOO SLOW - I TELL YOU ONCE AGAIN YOU'RE NOT MY TYPE - YOU'RE ALL THE SAME - SOMETHING COME ALONG GONNA MAKE A CHANGE - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT 3.THE DAY YOU COME: Powderfinger/Fanning memories are fading - a single voice complaining - while days are stacking up - it's hardly worth debating, the people are frustrated - drink from poison cup - the system is collapsing, conscience is relapsing - the damage has been done - on the day you come rising up - on the day you come rising up - vision is rejected - the peoples choice is tested - so ignorance has won - children are infected - remedy suggested - don't drink from poison cup overpopulation, media sensations - the damage has been done - on the day you come rising up - on the day you come rising up 4.ALREADY GONE: Powderfinger/Fanning You've been working all you life - all weekends and overtime - while your trying to unwind - you can't relate to the leisured life - Another day meanders by - keeping nature's tabled time - all these things just pass you by - and you can't relax in a scheduled life - promises already gone - there's no escape it's said and done - so keep your love forever young - you've been trying to decide - multiply or just divide - all these things are on your mind - and you can't relaxin a leisured life - promises already gone - there's no escape it's said and done - so keep your love forever young 5.PASSENGER: Powderfinger/Fanning Caged - you hold so tight until your knuckles show - escape - as far away as you could ever know - you sink them all down - and watch them float up - until the wheel has spun around - you will be bound by what you are - you stand in the corner - with your face stripped of color - for what? - If you want to be a passenger - climb aboard with me, were leaving now - step outside and see another world - only if you want to be a passenger - chained - so many places you'd prefer to be - than framed - by a picket fence and salary - you sink them all down - then watch them float up - until the wheel has spun around - you will be bound by who you are - you're tied to the corner - with your hope twisted under - in knots - if you want to be a passenger - climb aboard with me we're leaving now - step outside and see another world - only if you want to be a passenger 6.DON'T WANNA BE LEFT OUT: Powderfinger/Fanning/Middleton I creep around slowly and receive from the TV signals about my life - I've no dedication to my medication I'm otherwise occupied - an ambitious plan to bring attention to myself - a cerebral hitman permeates my mental health - but I don't wanna be left out so will you take me too? - when the supper is handed out there will be room for two - now I'm flying away - stupefy and sedate - at my own invitation a new celebration of how I became a man - this whole evolution and manic confusion to unlock and understand - in a past life, I'm sure I was a princess then - a princess wife, my hypnotist he took me there - but I don't want to be left out - so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate - now you show up bright and clear eyed - now you show up bright and clear eyed - but I don't wanna be left out so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate 7.GOOD-DAY RAY: Powderfinger/Coghill/Fanning he's at you again ray - testing out your head space - no matter what you do - the money still loves you - you have fallen down the stairs again - you might have to take it easy - because we love you - and we respect you - because we love you - and we respect you - you have fallen down the stairs again - you might have to take it easy - he's at you again ray - he's at you again ray - he's at you again ray - testing out your head space 8.TRADING PLACES: Powderfinger/Fanning I could not face - I could not face you - lost my place - couldn't I fade away - feelings hide - feelings die cannot wait - to trade my place again - you save face when I hang my head in shame - feelings hide - feelings die - they could not wait to open you up - they could not wait to open you up 9.PRIVATE MAN: Powderfinger/Fanning I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a drastic change - it's such a shame this has to end - but things are out of his command - he has no further truth to tell - now he has absolved himself - he's eying off an old doorframe - history secures his name - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - now he falls so far - I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a tragic change - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - when he falls so far - when you fall so far - now he falls so far - when you fall so hard 10.CELEBRITY HEAD: Powderfinger/Fanning at quarter to nine - my plus one decides to maker her arrival - I'll say what I like - at the end of the night for social survival - I'll cut you to size - then apoligise and make an impassioned plea - there were no docken parks - I had to walk in the dark I wasn't myself you see - here I am again you know - here I am again in for free - missed the backing band you know me - here I am again in for free - I know I sound trite - but I get off on things like it's their sophomore album - I don't know what I mean - but I'm part of the scene - I know a guy from the Melvins - I came to do a review - I had to wait in the queue i just can't believe it - don't you know who I am - I work the street paper scam I can't believe you don't read me - here I am again you know me - here I am again in for free - missed the backing band you know me - here I am again in for free - here I am again - here I am again 11.OVER MY HEAD: Middleton a combination of the two worst ideals that you might have - well don't complain when you just concede, there's nothing left for you - it's sad to think that it's all gone over my head - I like to think it was easy not to have said - it's sad to think it all went over my head - I liked to think it was easy not to have said - Look up, there's another place where you might just have come from - hold me down there is nothing to say I've been spent around here - Chorus 12: CAPOICITY: Powderfinger/Fanning honesty is out of style - so hammer in the coffin nails - a message sent across to land - with kisses for you - we'll tell them nothing - our little secret - they'll never make us ever open up - tradition in and out the door - family our fatal flaw - a future frameless in design - a seamless concept - we'll tell them nothing - our little secret - they'll never make us - ever open up - never break our trust - until were coffin dust - when this feeling fades - it'll all seem like a waste - fragile bond has shaken loose - this secret love a shrinking noose - suffocated on the truth - left with nothing 13. LEMON SUNRISE: Powderfinger/Fanning do do do do do - always on time - do do do do do - waiting in line - whatever you say - whatever you say - whatever you say - whatever - do do do do do - soda and lime - do do do do do - lemon sunrise - whatever you say - whatever you say - whatever you say - whatever you say - see you Tuesday - never would stay - whatever you say - whatever
Bernard Fanning - vocals, guitars, piano, and keyboards Darren Middleton - vocals, guitars, piano, and keyboards Ian Haug - guitar and handclaps John Collins - bass and organ pedals, and ¡heys' Jon Coghill - drums, handclaps, and 'heys' backing vocals on Passenger and Hindley St... Lou Bennett, Sally Dastey and Amy Saunders (aka Tiddas), Tiddas appear courtesy of Id/Mercury Records horn section on Celebrity Head, Trading Places and Passenger... Tony Lofts -Trumpet and Flugelhorn, Andrew Hammond - Trombone, Martin Zakharov - Tenor and Baritone Saxophone, Flute strings on Trading Places...Michelle Lewit - Violin, Gareth Skinner - Cello also...Horns arranged by Tony Lofts on Passenger, and Tony Lofts & Powderfinger on Celebrity Head and Trading Places. All songs recorded, mixed and produced by Nick DiDia at Sing Sing Studios, Melbourne Australia except The Day You Come recorded by Lachlan 'Magoo' Goold at Sing Sing. Mixed by Nick DiDia. Whatever You Say recorded by Mark McElligott at Sunshine Studios, Brisbane. Mixed by Nick DiDia. All recordings at Sing Sing assisted by Dave 'Double Dave' Davis. All tracks mastered by Don Bartley at Studios 301. All songs published by Egg The Nest/PolyGram Music Publishing. ORIGINALLY ISSUED WITH P2K BONUS DISC, LIVE & ACOUSTIC AT THE SYDNEY OPERA HOUSE 1.PASSENGER 2.PRIVATE MAN 3.DON'T WANNA BE LEFT OUT 4.PICK YOU UP 5.THE DAY YOU COME All tracks published by Universal Music Keyboards by Matt Murphy Cello by David Stills Recorded by Cameron McCauley for Triple J on October 11, 1998 Produced and mixed by Wayne Connolly and Powderfinger Mastered by Rick O'Neil and Wayne Connolly at Turtlerock ART DIRECTION- Kevin Wilkins @sseaven ILLUSTRATION - Michael Mucci PHOTOGRAPHY - Sophie Howarth DESIGN - Lucy Walker
Coghill
Collins
Fanning
INTERNATIONALIST 7 SEPTEMBER 1998
1.HINDLEY STREET: Powderfinger/Fanning A gentle winter haze creeps in at three forty-four - the Hindley St parade shuffles to my door - the hotel decor shades are always poorly sewn - twenty-five in thirty days makes this room feel like home na na na na na na na na na na the western ocean breeze kick starts another day - and under brewed bag tea, no matter where you get it always seems to leave that taste - the Todd St mall cafe is here to save the day - why should I complain everybody else is overworked and underpaid na na na - na na - na na - na na na - na na na days keep rolling over - escape to the undercover - soon it will all be over - and we can start again 2.BELTER: Powderfinger/Fanning YOU GO - I FEEL LIKE DROPPING BOMBS BETWEEN YOUR EYES - BUT NOT TODAY - TOO SLOW - I FEEL LIKE SINKING ARROWS IN YOUR MIND - IT'S ALL THE SAME - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT - YOU GO - SOAKING UP YOUR PUBLIC APPETITE - THE WAR YOU WAGE - TOO SLOW - I TELL YOU ONCE AGAIN YOU'RE NOT MY TYPE - YOU'RE ALL THE SAME - SOMETHING COME ALONG GONNA MAKE A CHANGE - YOU DON'T HAVE TO REVEAL IT - YOU GET TROUBLE CONCEDE - YOU DON'T HAVE TO REVEAL IT - ARE YOU FEELING RIGHT - ARE YOU FEELING RIGHT - A DEFEATED SIGHT - ARE YOU FEELING RIGHT 3.THE DAY YOU COME: Powderfinger/Fanning memories are fading - a single voice complaining - while days are stacking up - it's hardly worth debating, the people are frustrated - drink from poison cup - the system is collapsing, conscience is relapsing - the damage has been done - on the day you come rising up - on the day you come rising up - vision is rejected - the peoples choice is tested - so ignorance has won - children are infected - remedy suggested - don't drink from poison cup overpopulation, media sensations - the damage has been done - on the day you come rising up - on the day you come rising up 4.ALREADY GONE: Powderfinger/Fanning You've been working all you life - all weekends and overtime - while your trying to unwind - you can't relate to the leisured life - Another day meanders by - keeping nature's tabled time - all these things just pass you by - and you can't relax in a scheduled life - promises already gone - there's no escape it's said and done - so keep your love forever young - you've been trying to decide - multiply or just divide - all these things are on your mind - and you can't relaxin a leisured life - promises already gone - there's no escape it's said and done - so keep your love forever young 5.PASSENGER: Powderfinger/Fanning Caged - you hold so tight until your knuckles show - escape - as far away as you could ever know - you sink them all down - and watch them float up - until the wheel has spun around - you will be bound by what you are - you stand in the corner - with your face stripped of color - for what? - If you want to be a passenger - climb aboard with me, were leaving now - step outside and see another world - only if you want to be a passenger - chained - so many places you'd prefer to be - than framed - by a picket fence and salary - you sink them all down - then watch them float up - until the wheel has spun around - you will be bound by who you are - you're tied to the corner - with your hope twisted under - in knots - if you want to be a passenger - climb aboard with me we're leaving now - step outside and see another world - only if you want to be a passenger 6.DON'T WANNA BE LEFT OUT: Powderfinger/Fanning/Middleton I creep around slowly and receive from the TV signals about my life - I've no dedication to my medication I'm otherwise occupied - an ambitious plan to bring attention to myself - a cerebral hitman permeates my mental health - but I don't wanna be left out so will you take me too? - when the supper is handed out there will be room for two - now I'm flying away - stupefy and sedate - at my own invitation a new celebration of how I became a man - this whole evolution and manic confusion to unlock and understand - in a past life, I'm sure I was a princess then - a princess wife, my hypnotist he took me there - but I don't want to be left out - so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate - now you show up bright and clear eyed - now you show up bright and clear eyed - but I don't wanna be left out so will you take me too? - when the supper is handed out - there will be room for two - now I'm flying away - stupefy and sedate 7.GOOD-DAY RAY: Powderfinger/Coghill/Fanning he's at you again ray - testing out your head space - no matter what you do - the money still loves you - you have fallen down the stairs again - you might have to take it easy - because we love you - and we respect you - because we love you - and we respect you - you have fallen down the stairs again - you might have to take it easy - he's at you again ray - he's at you again ray - he's at you again ray - testing out your head space 8.TRADING PLACES: Powderfinger/Fanning I could not face - I could not face you - lost my place - couldn't I fade away - feelings hide - feelings die cannot wait - to trade my place again - you save face when I hang my head in shame - feelings hide - feelings die - they could not wait to open you up - they could not wait to open you up 9.PRIVATE MAN: Powderfinger/Fanning I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a drastic change - it's such a shame this has to end - but things are out of his command - he has no further truth to tell - now he has absolved himself - he's eying off an old doorframe - history secures his name - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - now he falls so far - I tell you he's a private man - in a public circumstance - he's eying off an old doorframe - looking for a tragic change - it's such a shame this has to end - but things are out of his command - there's no more problems to defend - when he falls so far - when you fall so far - now he falls so far - when you fall so hard 10.CELEBRITY HEAD: Powderfinger/Fanning at quarter to nine - my plus one decides to maker her arrival - I'll say what I like - at the end of the night for social survival - I'll cut you to size - then apoligise and make an impassioned plea - there were no docken parks - I had to walk in the dark I wasn't myself you see - here I am again you know - here I am again in for free - missed the backing band you know me - here I am again in for free - I know I sound trite - but I get off on things like it's their sophomore album - I don't know what I mean - but I'm part of the scene - I know a guy from the Melvins - I came to do a review - I had to wait in the queue i just can't believe it - don't you know who I am - I work the street paper scam I can't believe you don't read me - here I am again you know me - here I am again in for free - missed the backing band you know me - here I am again in for free - here I am again - here I am again 11.OVER MY HEAD: Middleton a combination of the two worst ideals that you might have - well don't complain when you just concede, there's nothing left for you - it's sad to think that it's all gone over my head - I like to think it was easy not to have said - it's sad to think it all went over my head - I liked to think it was easy not to have said - Look up, there's another place where you might just have come from - hold me down there is nothing to say I've been spent around here - Chorus 12: CAPOICITY: Powderfinger/Fanning honesty is out of style - so hammer in the coffin nails - a message sent across to land - with kisses for you - we'll tell them nothing - our little secret - they'll never make us ever open up - tradition in and out the door - family our fatal flaw - a future frameless in design - a seamless concept - we'll tell them nothing - our little secret - they'll never make us - ever open up - never break our trust - until were coffin dust - when this feeling fades - it'll all seem like a waste - fragile bond has shaken loose - this secret love a shrinking noose - suffocated on the truth - left with nothing 13. LEMON SUNRISE: Powderfinger/Fanning do do do do do - always on time - do do do do do - waiting in line - whatever you say - whatever you say - whatever you say - whatever - do do do do do - soda and lime - do do do do do - lemon sunrise - whatever you say - whatever you say - whatever you say - whatever you say - see you Tuesday - never would stay - whatever you say - whatever
Bernard Fanning - vocals, guitars, piano, and keyboards Darren Middleton - vocals, guitars, piano, and keyboards Ian Haug - guitar and handclaps John Collins - bass and organ pedals, and ¡heys' Jon Coghill - drums, handclaps, and 'heys' backing vocals on Passenger and Hindley St... Lou Bennett, Sally Dastey and Amy Saunders (aka Tiddas), Tiddas appear courtesy of Id/Mercury Records horn section on Celebrity Head, Trading Places and Passenger... Tony Lofts -Trumpet and Flugelhorn, Andrew Hammond - Trombone, Martin Zakharov - Tenor and Baritone Saxophone, Flute strings on Trading Places...Michelle Lewit - Violin, Gareth Skinner - Cello also...Horns arranged by Tony Lofts on Passenger, and Tony Lofts & Powderfinger on Celebrity Head and Trading Places. All songs recorded, mixed and produced by Nick DiDia at Sing Sing Studios, Melbourne Australia except The Day You Come recorded by Lachlan 'Magoo' Goold at Sing Sing. Mixed by Nick DiDia. Whatever You Say recorded by Mark McElligott at Sunshine Studios, Brisbane. Mixed by Nick DiDia. All recordings at Sing Sing assisted by Dave 'Double Dave' Davis. All tracks mastered by Don Bartley at Studios 301. All songs published by Egg The Nest/PolyGram Music Publishing. ORIGINALLY ISSUED WITH P2K BONUS DISC, LIVE & ACOUSTIC AT THE SYDNEY OPERA HOUSE 1.PASSENGER 2.PRIVATE MAN 3.DON'T WANNA BE LEFT OUT 4.PICK YOU UP 5.THE DAY YOU COME All tracks published by Universal Music Keyboards by Matt Murphy Cello by David Stills Recorded by Cameron McCauley for Triple J on October 11, 1998 Produced and mixed by Wayne Connolly and Powderfinger Mastered by Rick O'Neil and Wayne Connolly at Turtlerock ART DIRECTION- Kevin Wilkins @sseaven ILLUSTRATION - Michael Mucci PHOTOGRAPHY - Sophie Howarth DESIGN - Lucy Walker
Coghill
Collins
Fanning